篇序

篇名

作者

頁碼

1

論金文「」及「＋器名」

An appraisal of the Character “(Daou)” 
and Related “(Daou)+ Vessel Name” in Bronze Inscripitions

黃庭頎
Ting-Chi Huang

1-30

2

國體、文體與抒情─從詩史到神韻的討論

State System, Literary Genre, and Lyricism—from “Shi-Shi” 
to “Shen-Yun”

曾守仁
Shou-Jen Tseng

31-100

3

論《南詞定律》之體例及其在清初曲譜之開創

Discussion on the Stylistic Rules of Nan Tzu Ting Lu and Its Creation of Scores in the Early Ching Dynasty

林佳儀
Chia-Yi Lin

101-144

4

1960-70年代臺港重返古典的詩畫互文文藝場域研究─以余光中與劉國松推動之現代主義理論為例

The Concept of “Back to Classic” in Intertextuality of Poetry 
and Paintings in Taiwan and Hong Kong during 1960 to 1970: Modernism spread by Guang Jhong-Yu and Guo Song-Liu

須文蔚
Wen-Wei Xu

145-174

5

童話小說：《我城》的人物、魔幻與喜劇手法

A Fairy-tale Novel: The Characters, the Magic Realism, 
and the Techniques of Comedy in My City

梁敏兒
Man-YeeLeung

175-200

6

唱自己的歌：聲音的跨界旅行和文化的青春互動─淺談新謠與臺灣現代民歌運動之間的關係

Sing Our Own Song: The Youthful Cultural Interactions 
between Singapore Ballads and Taiwan Modern Folk Song Movement

徐蘭君
Lan-Jun Xu

201-230

7

論吳明益《天橋上的魔術師》之懷舊時空與魔幻自然

The Spatial-Temporal Nostalgia and the Magical Nature 
in Ming-Yi Wu’s The Illusionist on Skywalk and Other Short Stories

黃宗潔
Tsung-Chieh Huang

231-260

8